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The Airborne Toxic Event bring a dark melancholic edge to this 1988 Q Lazzarus song.

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Modernless – like Suicide. But darker. And now. Fucking ace.

Find then on Facebook here.

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Bête Noire create “a post punk stemmed sound soaked in dark shadows and chilled ambiance but equally littered with hooks and deceptive melodies”. Just lush.

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First‘s influences are “Pavement, Nirvana, Pixies, Cardiacs and Radiohead”. Totally true. And totally brilliant.

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“A mash up of electronica, grunge, rock and dance” Little Death Machine are dark, edgy and perfectly disturbing.

You can find them on Facebook here.

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Crows – Discordant guitars, laced with reverb, and everything overlayed with exquisitely harsh vocals. Dark, intense and gothic.

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Binary – Layered, goth-edged industrial noise-rock, with sullen vocals and snarling guitars and everything drenched in sensual reverb. Dark, broody and grimy.

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See them live – 15 August in Brighton.

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CuT – brilliantly dirty Ramones-esque punk-psych.

I saw them three times in six days last week, they were huge every time.

They’re playing in Camden next Friday, you should come if you can. Details are here.

They’re impossible to Google, so find them here.

Day 1:

Day 2:

Day 3:

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The National – sleek yet barbed, with songs that are immaculate, full of introspection and despair.

From this…

to this

Crying. And Screaming.

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Heart-Ships – passionate fragility, anthemic intimacy.

Songs that “rebound around abandoned moors or drift across post-Industrial landscapes”.

Find them on Facebook here.

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